• 0.04: This is going to be very meaningful.
• 0:07: I like how her neck is also her body.

• 0:13: Activists will probably keep her wet throughout this thing. I saw this in a documentary.
• 0:15: She is making sounds to express surprise. Like a violin. Or a boat.

• 0:36: That was opera. She is Paul Potts.
• 0:42: She may be about to detach her face.
• 0:49: She did.
• 1:02: Paging Dr. Conrad Murry.
• 1:05: She’s brushing hair out of her face. A tender moment. Very feminine.
• 1:07: She’s holding her nose. I’m holding my mouth.
• 1:13: Quiet moments. She would look great in a burka.
• 1:20: She’s getting emotionally caught up.
• 1:22: She has another face.

• 1:28: Another outburst. I think that’s how Keiko died.
• 1:36-1:47: It looks like she is charging her face.

• 1:48: False alarm.
• 1:58: No, wait! This is for real. I’m putting on my rubber safety pants.

• 2:05: It’s over.
• 2:17 Trailer: “I promise to love you. Every moment forever.”
• 2:29 She’s pausing it. The emotions are catching up with her. The emotions being hunger.
• 2:37 She’s getting very close to the camera. I know she’s not here. But still…
• 2:47 We’re back on. Pausing it for ten seconds made a lot of sense.
• 2:51 She’s holding her face again. What is she afraid of? Is she eating?

• 2:58 She is angry.
• 3:11 She is asking question about Unintelligible’s hair. She doesn’t understand the world we live in.
• 3:18-3:21. Eerie calm. I’ve read about this in Nature.
• 3:38 Her body has been without nutrients for three and a half minutes. How does she do it?

• 3:46 Longest detonation yet.
• 4:16 She’s turning to the camera. Like Blossom. Do you remember Blossom?
• 4:18 She is reflecting. Apologizing for bursting our ear drums. She’s funny.
• 4:28 She’s enumerating points. I don’t understand her.
• 4:36 Is that a British accent?
• 4:41 Point No.1: She has met people out of this trailer. And it freaks her out.
• 4:51 New point No.1. That first point No.1. was “stupid”.
• 5:13: She has “twilight friends”.
• 5:20 “FYI, if you meet me in the street, if you bump into me [...] don’t ask me about it [whatever she is talking about]” We won’t. We will be bleeding from a surprise orifice.
• 5:28 Very introspective. I feel we’re making a lot of progress.
• 5:31 Nervous laughter. Precursor to nervous going into the village and eating people’s firstborns?
• 5:38 She doesn’t care if she sounds like a “vulture of some kind”.

• 5:50 “What the hell is wrong with Bella’s hair?”. I don’t know. If you know what’s wrong with Bella’s hair you should tell her.
• 6:26 She says she is going to her neighbors to apologize for having broken their ear drums. She’s funny.
• 6:31 Not! Ha, she faked us out. She is not really going to her neighbors to apologize for having broken their ear drums. She is so funny. She should have a show. That’s the kind of person I would like to meet in heaven.
• 6:39 She is addressing the cast. We’re losing her.
• 6:46 It’s over… I can’t feel my dignity anymore.

via: NYTimes

She even got the chin cleft! I wouldn’t have gotten the chin cleft.

• Guy: Hey, Sarah. You know how there’s a company that makes animated movies about rat people with low IQs?
• Girl: Yeah, Josh, I know that.
• Guy: Good, Sarah, good. I think we should put human faces to to them.
• Girl: You’re hot.
• Guy: I like how you engage me in a meaningful way.

The attention to detail is fairly amazing. Why can’t every day on the internet be like this? Video here and after the jump.

Did you make it through the last sentence? Good, good, we’re almost done.

Judging from the surroundings I’d say Lady GaGa is on her submarine laughing at people who are not dressed in tape. Obviously I have cropped the picture because as it turns out she is naked under the tape. She is not naked in the photo but depending on where you work this might not be safe for your eyes or your employment status. I suggest you quit and look at this photo.

Via Amy Grindhouse

• You look terrible today
• Der gute Zeitgeist
• Frosted Glass
• New York
• Paper Walls